WINTER INSPIRATION

winter-skiing-holiday inspiration

I spent a lovely and long day yesterday – 8:00 am ‘til 5:30 pm – tramping around the acres and acres of antiques, junque, architiques and vintage stuff at the Brimfield Antique Show. Billed as “the largest outdoor antique show in the world” it has 6,000 vendors and a festive flea market vibe. It is virtually impossible to see the entire thing in one day.

This was my first Brimfield experience so I hooked up with a fellow designer friend who knows the ropes. The show is divided into multiple sections, each having their own flavor and days of operation. We chose to go mid-week, even though all the shows weren’t yet open thinking it would be less crowded. Being a week day we called it “inspiration work”.

It was fascinating to see what people were selling (piles of rusty old faucet handles, vintage vending machines, plastic toys from the ‘70’s, old industrial lighting) and to see what people were happily toting away (taxidermy creatures, fixtures from old factories, wooden packing crates, chairs without seats). Regardless of how lowly, all this stuff had value to the buyers and the sellers. We never made it to the area selling Chippendale furniture and Chinese export porcelain, if there even was one.

There was so much stuff to look at we decided early on to focus our attention on textiles, paper, and ski related objects allowing ourselves the occasional sidetrack to check out free standing signage letters from old gas stations and super market signage. Here’s a sampling of the fruits our treasure hunting.

If you want to see it all for yourself, the show is open through Sunday.

Ribbon with skiers

Vintage silk scarf

3/4″ sterling snowflake skier pin

Lampshade made from vintage barkcloth from Lake’s Lampshades. My favorite find!

Detail from embroidered hankie

Silk scarf from the 70′s

Sweet Tyrolean themed ribbon

Vintage postcards from Snoqualmie Pass, Magic Mountain and Aspen

And here are some things that we passed on…

Vintage skis

In hindsight I should have bought this exquisite wooden flask covered in animal fur and decorated with tooled and braided leather and embroidery. The dealer had no idea of its origin or intended use. Do you? I’d love to know.

And am I crazy to have passed on an original of Lou Hechenberger’s New Hampshire ski poster for $1,200? Unfortunately the crispness of the design and clarity of color is lost in this image. It was a beauty.

An assortment of wooden skis and ski boots – various eras

Plastique. Antique?

More skis

This guy bought his Tyrolean hat for a steal minutes before we met him – darn! It was covered with beautiful souvenir pins from all over the the alps and is in mint condition.

Enjoy your weekend! (And Thank you A.N. for sharing your pix.)

 

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After enduring a less than stellar ski season in Vermont’s Green Mountains I’m off for a ski adventure in the Italian Alps. I’m looking forward to being unplugged, climbing and skiing all day long and sleeping in mountain huts. I’ll get back to my blogging toward the end of April!

Ciao!

For more vintage ski art, fashion, ephemera click here.

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I’ve wanted to write about my all time favorite dinner plates for a while. They are souvenir plates from the ‘40’s with ski scenes in the middle. Each one highlights a different Canadian ski destination stretching from Quebec City’s Hotel Frontenac through the Laurentian Mountains and west to the highest peaks around Banff. To me, part of their charm is the old-timey lack of ski lifts; all skiers are “earning their turns”. It’s complete supposition on my part that the plates were in some way connected to the railroads that shuttled skiers east and west. I haven’t been able to find anything out their origins. I’d welcome any insight.

Last Easter as I was taking the dishes down from the top shelf in my pantry I watched in horror as the entire stack of ten slipped from my grasp and smashed on the floor! I felt physically ill as I picked up the shards.

Within minutes I called a friend who shares a passion for collecting the same plates (in both blue and red) and told her my tale of woe. She gamely agreed to sell me a few of her extras, which raised my spirits considerably. I then went about re-building my collection.

In less than a year I piece-mealed together an entire new set, plus one. I acquired a few from my friend, and a couple on ebay. The best score of all however was an almost complete set I found in an antique shop in Maine while I was travelling by motorcycle. (I had to have them shipped home.) Because of this experience I’ve realized that hunting for the dishes was just as much fun as it is to actually own and use them. I loved the challenge of the hunt and the thrill of discovery. So really there’s no reason for me to cry over broken dishes ever again!

 

For more vintage skiing on my blog click here. Or on Pinterest click here.

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Finally (!) winter has come to northern Vermont and snow has been on my mind ever since last weekend’s big powdery dump. It’s hard to concentrate on my work when there’s so much fluff to play in. Needless to say, the “Studio Closed – Gone Skiing” sign was hung on my door for most of last week.

Michelle Aldredge, the creator of art blog Gwarlingo also had snow on her mind last week when she posted an article and photos about Simon Beck’s snow art. I’d never heard of Beck, who lives in Les Arcs, France and was immediately smitten with his work.

According to Gwarlingo, Beck is an Oxford educated, self-employed mapmaker. His gigantic snow drawings, which he stomps out with snowshoes, are the size of three soccer fields and take about two days to complete.

The biggest challenge for Beck (besides getting overly tired) is finding a way to reduce the visibility of his own tracks when he begins and finishes a piece. Sometimes, he might work all day only to have his design covered by fresh snow overnight. At other times, he finishes a design right at sunset and doesn’t have enough light remaining to photograph his work properly.

Beck’s geometric snow designs have a textile quality to them and remind me quilts, snowflakes, solar discs, crop circles and ancient symbols.  How DOES he make such perfectly aligned designs on such a large scale? A mapmaker’s sense of place and desire for accuracy must come into play.  I wonder if he finds tromping back and forth, and around and around, filling in his patterns meditative? I think I would!

Visit the Gwarlingo site to see more about Beck and images of his work. There are more photos on Simon Beck ‘s facebook page where these pictures came from. Be prepared to lose yourself, as I did,  for a bit if you venture there!

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The ephemeral quality of Beck’s work is shown here, a short time before it completely dissolved into the lake.

To see more ephemeral snow art on my blog click here

To “Like” Poppy Gall Design Studio on facebook click here. To follow my inspiration board on Pinterest click here.

 

 

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One thing always leads to another when I’m searching for something on the internet. I get side-tracked and discover things I didn’t even know I wanted to know about! Yesterday I found this amazing ski-themed blouse circa 1957-1960 on the Fashion Institute of Design & Merchandising’s blog. It’s just too great not to share. Here’s a bit of ski fashion history cribbed right from their blog.

“Until the 1950s, ski wear consisted of baggy woolen pants and knitted sweaters, topped with a bulky wool overcoat. Though warm and functional, these clothes did nothing to flatter the figure. This changed in 1952 with the introduction of Bogner ski pants. Created by Maria Bogner, member of a German skiwear producing family, “Bogners” were a form-fitting ski pant made of wool and a newly developed nylon fiber called Helanca. By 1955, Bogners were available in a variety of bright colors. Because they displayed the muscular curves of both male and female skiers, Bogners were credited with introducing sex appeal to skiing. According to Ski magazine, “Marilyn Monroe, Ingrid Bergman and the Shah of Iran wore them. Henry Ford ordered 15 pairs. Overnight, skiing had been transformed into a sexy and very visible sport.”

 

“Bogners appeared at the perfect moment, just as North Americans were experiencing unprecedented economic prosperity in the wake of World War II. Many individuals with surplus income turned their attention to the serious pursuit of sporting and leisure activities, such as skiing. Widespread interest in skiing was encouraged by simplifications in ski boots, skis and ski lifts, making it easier for a novice to get both up and down the mountain. At the end of the day, skiers could relax at comfortable resort lodgings, which often included spacious rooms for dining and dancing, along with heated outdoor pools. Skiing was now a fashionable activity, no longer limited to those rugged enough to withstand a cold slog through the snow.”

While the Bogner family might have stolen the limelight, there is historical evidence that in Megeve, a collaboration between skiier Emile Allais and the AAllard family brought about the first ski stretch pants. Armand AAllard was a skilled tailor in Megeve and made custom clothing for both on and off the slopes.  Unlike “Bogner” his was a custom not production affair which is why he likely has taken a backseat to the internationaly known ski brand.

The FIDM Museum ski-themed blouse seen here details the daily activity of a stretch pant clad skier on vacation. As you can see from the silk-screened images, actual skiing occupies only a portion of her day. Her brightly colored ski wear is typical of the late 1950s, when retailers offered ski wear in a variety of fashionable colors and patterns. Many urban department stores featured ski boutiques, and in 1959, at least one fashion writer suggested that ski wear would soon be seen both off and on the slopes. Not surprisingly, the slim silhouette of late 1950s ski wear echoed (or vice-versa) the slim pants then seen in casual sportswear.

For more vintage ski fashion click here or follow my “Vintage Winter” boards on Pinterest.

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Directed by artist Sonja Hinrichsen, 10 snowshoers deliberately and methodically stomped giant circles and spirals into fresh powder in a wide-open meadow atop Rabbit Ears Pass near Steamboat Springs, Colorado, a couple of weeks ago.

Hinrichsen has been doing similar projects on her own across the country from New York to Aspen, but in Steamboat, she thought the outdoor- and snow-oriented community would be a perfect fit for a collaborative project.

“I always loved those big snow surfaces,” Hinrichsen said about why she began making snow art three years ago. “I thought, ‘I have to do something with this.’ It came out of play, really.”

Hinrichsen said it’s the impermanent nature of the project that intrigues her. She also works in video and performance art, works that interact with the environment around her and leave no lasting impact.

“I’m not so into making art that lasts,” she said. “The world is saturated with manmade projects. I don’t think I need to add more things to the planet.”

To see more ephemeral snow and ice art click here.

Via: Explore Steamboat.com & Steamboat Aerials 

 

 

 

 

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Besides thinking it’s a little scary looking, and that it might be hard to breathe while wearing it, I’m at a loss for words regarding the aesthetic of this 1962 ski mask by Emellio Pucci. What do you think about it?

Enjoy your weekend!

For More vintage ski inspiration click here.

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I take the jumps,

And do them right,

But my heart jumps

only

when you are in sight!

 

Happy Valentine’s Day everyone!

For more Vintage Skiing Inspiration on my blog click here, and on Pinterest.

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I’m lucky. It’s 15 minutes from my front door to the bottom of the ski lift. I prefer to ski during the week because I can fit a lot of runs in within a short window of time, and still put in a productive workday.

Skiing on weekends can’t be about making lots of runs because of lift lines. But longer lines are great for socializing and checking out what people are wearing and the gear they’re using; real time trend spotting at it’s best, and great inspiration for my work.

Over the weekend I spotted a couple wearing some fabulous mittens a bit behind me in line. I waited for them at the top of the mountain so I could take a closer look.

Their handcrafted leather mittens are made in the U.S. and are beautifully embellished with intricate beadwork, fringe and fur based on Cree Indian designs. The company name, derived from the Cree word for mittens, is Astis. The mitts are truly works of art.

It turns out that the couple I was chatting with are friends with the owner of Astis and filled me in on their story. I mentioned that I was a designer, and as an aside had designed the Isis jacket the woman was wearing. She told me how much she loves her jacket and that the photographer who took the photos on the hangtag was a friend of theirs. There are far less than seven degrees of separation in the ski world.

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Bromley, “the sun mountain”, founded by brewery mogul Fred Pabst, turns 75 years old this winter. I love this mountain because I grew up skiing there.

These postcards were old when I got them as a kid. I wasn’t born yet when they were taken, but Bromley was enough the same when I was young that they make me nostalgic. They must be from around WWII as a skier on the Sun Deck in the top postcard is in uniform.

“Flags of Skiing Nations – The flags of the United States, Canada, Austria, Switzerland, Norway and other skiing nations make a colorful display on the Sun Deck at Bromley’s Wild Boar Restaurant. Located in the heart of the Green Mountains, the Manchester, Vermont ski resort is only 197 miles from New York City and 143 miles from Boston.

Most ski areas at the time hired instructors from Austria or Switzerland, many who stayed on and enriched the fabric of our communities.

When I was a kid the Wild Board lodge was jammed with taxidermy antlered beasts hung on pine paneled walls and above the stone fireplace. There was an old wooden telephone booth in the back corner where everyone ate their bagged lunches.

In this postcard season passes were $75 and a week ticket was $21. Sig Buchmayer’s Sportshop is beneath the deck. Wooden ski patrol toboggans are lined up along the front of the building. The lodge has undergone some change but it remains red, if not quite that fire engine shade.

“The Lord’s Prayer at Bromley – This popular novice slope at Bromley, Manchester, Vermont attracts thousands of skiers every winter.”

You could park your car right along rte. 11 and walk to the lift.  Metal J-bars and a surface Poma lift moved skiers uphill in those days. By the time I started skiing at Bromley, “Number 1″ chairlift had been installed at the bottom of The Lord’s Prayer slope to haul skiers to the top . Each chair was painted a different color.  Old Number 1 and all the J-bars, except the Lord’s Prayer J, have been replaced with newer chairlifts. I’ll never forget being hollered at by the lifties for bouncing on the J-bars.

Notice the sunbathers sprawled on the red adirondack chairs along then side of the lodge building. Bromley skiers always have a tan because the slopes face south.

A special exhibit of professionally enlarged black and white vintage photos from the 1950′s and 60′s are on display in the Bromley base lodge this winter. If you can’t stop in to see the show, you can view a slideshow  here . The photographers and skiers are mostly unidentified. If you know either, drop a note to the aforementioned website.

This wonderful video splices together clips of 1960′s vintage Bromley skiing antics and nightlife made by Bromley skier Bob Ellis. Does anyone recognize these swinging skiers?

For more vintage skiing inspiration click here or follow my Vintage Winter boards on Pinterest

 

 

 

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These photos are  jet-setty in a kind of 60′s way! I’m just as fascinated by the compositions, and the play between light and shadow as I am by the skiwear and equipment. Now, wasn’t that James Bond I saw jump out of a helicopter and schuss away?

Photographs by Eugene Vernier via Trunk Archive

For more vintage skiing inspiration click here.

 

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Satin, silk, lace and fur echo layers of frost and snow in these dream-like dresses, coats and capes suitable for a New Year’s Eve Snow Ball.

Satin strapless dress, damask coat with satin bow Sassi Hoiford. Sheepskin wrap, Celtic Sheepskin

Bouclé wool and satin bodice dress, bouclé wool coat with floral collar, Bruce Oldfield

Satin jacket with a bustle trimmed with faux fur and matching satin skirt, Angelina Colarusso. Sheepskin wrap, Celtic Sheepskin

Vintage lace paneled dress, vintage lace coat with appliquéd flowers

Satin Spaghetti strap dress, collarless silk coat with train and silk bar at bust, Amanda Wakley. Fur cape, Vlasta Coilu

Images by Carl Bengtsson via Selvedge 

For more New Year’s inspiration click here

 

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Looking for the perfect gift for the skier in your life? Look no more. Vermont fine artist and passionate skier Tracy Dunphy recycles vintage wooden skis into works of art. She removes ancient pine tar, then sands and stains the wood to its original perfection. Her steady hand then applies a painted garland of colorful folk art flowers inspired by alpine cultures. As a finishing touch, the skis receive a coat of hand rubbed wax, adding depth and warmth.

“Skiing is such an important part of my life, it’s natural for me to use skis as a canvas where I can explore illustrative imagery associated with skiing history and mountain environments,” says Tracy.

Tracy just finished working on these beautiful circa 1970’s 210 cm. cross country skis and dropped by my studio to show them to me. I love the way she remounted the original Rottefella 3-pin bindings. They add a touch of authenticity.

Wouldn’t skis like these make a sweet wedding gift if customized with his and her names? Or be a perfect decorating accent for a chalet or ski town restaurant? Tracy will restore your own wooden skis or select from her stock. Allow plenty of time for custom orders because it’s super time consuming to paint all those delicate flowers.

Admiring her fine brushwork, I find her asking price of $600 for this pair worth every penny. For more information about these skis email Tracy  at dunpher@gmail.com.

 

 

 

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It’s mid-December in Vermont and there is just the thinnest veneer of snow on the ground. Not much for those of us who live for snow and the recreation it allows us. Perhaps if we all do a snow dance, make offerings to Ullr, and draw a snowflake every day, we may break this unfortunate weather pattern.

Edward L. Platt, a lover of math and physics, is one who does draws a snowflake, by hand, every day and he shares them on his website PenFlakes.

Platt says, “One day while I was out with friends, I saw an eight-sided snowflake decoration, and found myself explaining hydrogen bonding, and why real snowflakes have six sides. Later on, I was doodling, and wound up doodling some snowflakes. I was surprised at how beautiful they looked, and intrigued by the possibility of making them bigger and more intricate.”

You can see his flakes on his site or better yet, make your own on his “Flake Pad”. Make lots – please! Think Snow!

via Adventure Journal

For more winter inspiration click here.

To “like” Poppy Gall Design Studio on facebook click here.

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After spending three and a half weeks in the land of ice, snow, sagas, volcanoes, hot springs, trolls, sheep, northern lights and endless daylight it’s been a tad difficult to readjust to my day-to-day life. Iceland, surreally shaped by fire and ice, perpetually inspired me with her landscapes, colors and textures. It is truly a place of wonder and I’ll be sharing some of my experiences here.

I spent my first two weeks skiing in the mountains near the Arctic Circle on the Troll Peninsula, and my last week touring around the western fjords with my camera at my fingertips and my eyes and brain on visual overload.

As my traveling companion and I packed our skis in the back of the rental car and leisurely headed back toward Reykjavik, the snow was just beginning to melt from the mountains leaving ribbons of it behind in steep and narrow gullies creating lovely patterns. Waterfalls cascaded thousands of feet from rocky cliffs. After awhile I started seeing Icelandic sweater designs in all the mountains!

©poppy gall 2011

©poppy gall 2011

©poppy gall 2011

©poppy gall 2011

©poppy gall 2011

©poppy gall 2011

©poppy gall 2011

©poppy gall 2011

To become an interactive part of Poppy Gall Design Studio on facebook click here.

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